On Young Galaxy
"But as I said just a few months ago, and I said a few months before that, and I said each time we see one of these mass shootings, our thoughts and prayers are not enough. It’s not enough. It does not capture the heartache and grief and anger that we should feel. And it does nothing to prevent this carnage from being inflicted someplace else in America -- next week, or a couple of months from now.
"We don't yet know why this individual did what he did. And it's fair to say that anybody who does this has a sickness in their minds, regardless of what they think their motivations may be. But we are not the only country on Earth that has people with mental illnesses or want to do harm to other people. We are the only advanced country on Earth that sees these kinds of mass shootings every few months.
"Earlier this year, I answered a question in an interview by saying, “The United States of America is the one advanced nation on Earth in which we do not have sufficient common-sense gun-safety laws -- even in the face of repeated mass killings.” And later that day, there was a mass shooting at a movie theater in Lafayette, Louisiana. That day! Somehow this has become routine. The reporting is routine. My response here at this podium ends up being routine. The conversation in the aftermath of it. We've become numb to this.
"We talked about this after Columbine and Blacksburg, after Tucson, after Newtown, after Aurora, after Charleston. It cannot be this easy for somebody who wants to inflict harm on other people to get his or her hands on a gun.
"And, of course, what’s also routine is that somebody, somewhere will comment and say, Obama politicized this issue. Well, this is something we should politicize. It is relevant to our common life together, to the body politic. I would ask news organizations -- because I won't put these facts forward -- have news organizations tally up the number of Americans who’ve been killed through terrorist attacks over the last decade and the number of Americans who’ve been killed by gun violence, and post those side-by-side on your news reports. This won't be information coming from me; it will be coming from you. We spend over a trillion dollars, and pass countless laws, and devote entire agencies to preventing terrorist attacks on our soil, and rightfully so. And yet, we have a Congress that explicitly blocks us from even collecting data on how we could potentially reduce gun deaths. How can that be?
"This is a political choice that we make to allow this to happen every few months in America. We collectively are answerable to those families who lose their loved ones because of our inaction. When Americans are killed in mine disasters, we work to make mines safer. When Americans are killed in floods and hurricanes, we make communities safer. When roads are unsafe, we fix them to reduce auto fatalities. We have seatbelt laws because we know it saves lives. So the notion that gun violence is somehow different, that our freedom and our Constitution prohibits any modest regulation of how we use a deadly weapon, when there are law-abiding gun owners all across the country who could hunt and protect their families and do everything they do under such regulations doesn’t make sense.
"And each time this happens I'm going to bring this up. Each time this happens I am going to say that we can actually do something about it, but we're going to have to change our laws. And this is not something I can do by myself. I've got to have a Congress and I've got to have state legislatures and governors who are willing to work with me on this.
"I hope and pray that I don't have to come out again during my tenure as President to offer my condolences to families in these circumstances. But based on my experience as President, I can't guarantee that. And that's terrible to say. "
- President Barack Obama, October 1st, 2015, and on and on and on and on....
"That is, our past. Not only the refusal of white people to live with people of colour, but their conviction, running back through the history of the US, that any black space is not legitimate – that whatever black people own can and should be expropriated by whites, if they so desire it. During the second world war, this idea of white primacy sparked one of the worst race riots in American history, after white people insisted not only that Detroit’s federal housing built for war workers be segregated, but that all of it be turned over to white residents.
"The riot was no anomaly. During the first world war, in 1917, another white-on-black race riot all but annihilated the black community of East St Louis, Illinois. A few years later, armed white mobs (backed by local law officers) razed to the ground the all-black Florida towns of Ocoee and Rosewood, and the prosperous black Greenwood section of Tulsa, Oklahoma. Scores of black people were killed in these onslaughts. Greenwood was burned to the ground as airplanes dropped incendiaries on the neighbourhood. Some 10,000 African Americans were left homeless.
"These flourishing black communities were erased not only from physical existence, but also from living memory. Bodies were hidden, accounts censored and the survivors scattered or intimidated into silence. To this day, we don’t know exactly what happened, or how many people died.
"One of the most vibrant communities in black America vanished just across the street from where I lived almost all of my adult life. Until a few years ago, I had no idea it had ever been there"
-Kevin Baker, The real-life 'negro removals' behind HBO mini-series Show Me a Hero, The Guardian
"It's no wonder that African and Afrodiasporic artists are choosing to disseminate music in solidarity. In many cases, this creative decision is a strategy for dealing with the alienation that is so often a part of Afrodiasporic experience. As the London-based writer Kodwo Eshun puts it in his 2003 essay Further Considerations on Afrofuturism: “the condition of alienation, understood in its most general sense, is a psychosocial inevitability that all Afrodiasporic art uses to its own advantage by creating contexts that encourage a process of disalienation.” And yet in the continuing environment of white supremacy, this creativity is routinely either erased, appropriated, or confined to narrow and fetishized aesthetic areas. The music in this article—which is all linked by the multifarious connective tissues of underground culture (labels, releases, mixes, remixes, songs etc)—is not necessarily of the same belief or aesthetic, but can all be seen as resisting the supremacist paradigm in its many different ways and contexts. Often, it can be seen as exploring the way in which race intersects with gender, sexuality and/or queerness too.
In an email, a representative for NON Records explained to me that they are "a sovereign nation state divided into three united territories. NON citizens reside in villages, towns, and cities across the globe. Each citizen has distinct social as well as geopolitical agency with our nation's infrastructure." To date, those citizens are: Angel-Ho, based in Cape Town, South Africa; Nkisi, based in London; and Chino Amobi, based in Richmond, Virginia. Through their Facebook page, they also draw attention to tracks by other artists, such as American artist Jónó Mí Ló's dystopian panorama, “Daniel 9:25 - Dawn Of The New Ugly.” “In no uncertain terms, the Intent of NON is to run counter to current Western hyper-capitalist modes of representation and function, exorcising the language of domination through the United Resistance of policed and exotified colored bodies,” NON’s email continued. “At a time when national (market) state financial and political systems are tested as never before, NON shall remain committed to the militant realities and potentials of ‘The NON State.’ NON came into existence through the Pan-African desire for representation on our own terms.” As stated on their Soundcloud page, NON artists are "using sound as their primary media, to articulate the visible and invisible structures that create binaries in society, and in turn distribute power." They elaborated on that over email, using the terminology of 20th century French philosophers Deleuze and Guattari: "NON uses sound as a weapon to destabilize and deterritorialize our audience, and through this process of sonic reclamation and reterritorialization, we redirect the listeners' attention to our message." Put another way, in the words of American writer James Baldwin, "Artists are here to disturb the peace."
- Adam Harper, The Voices Disrupting White Supremacy Through Sound, The Fader
"For it is the end of the world that is in question here; and that could be exhilarating if apocalypse were the only way of imagining that world’s disappearance... Someone once said that it is easier to imagine the end of the world than to imagine the end of capitalism."
“I though IBM was born with the world/ The US flag would float forever/The cold opponent did pack awayThe capital will have to follow/ It's not eternal, imperishable/Oh yes it will go/ It's not eternal, imterminable/ The dinosaur law
Look at the symbols, they are alive/ They move evolve and then they die.”
- Stereolab, "Wow and Flutter"