Thursday, September 17, 2009

Wednesday, September 16, 2009

The Gentle Art of Commemoration

When I post on celebrity deaths, I don't selectively pick out ones that deserve commemoration. I merely comment on the ones which have had something of any impact on my life. At the smallest level, it might just be a song I enjoyed (such as Jim Carroll's "People Who Died"- see below- never read any of his poetry or books). Still, it seems odd to eulogize Carroll, who I know frankly nothing about, and leave out, say, Patrick Swayze, whose movies I'm at least familiar with- if more for camp purposes (Roadhouse, Red Dawn, MST3K References) than anything else. Yet, I worry that this will set a precedent that may require me to comment on the passing of every B-actor and every member of a hair metal group I was fond of when I was eight...

I guess this might be the most proper way to say goodbye to Swayze then

RE: Kanye West's Dickish Move

Doesn't it seem a little too last minute-staged? It's as if MTV approached him as the show lingered on and said "Hey Kanye, go do something crazy." It serves the purpose of doing some quality advertising for Beyonce, Kanye himself, Taylor, and, of course, MTV. I stopped watching the VMAs because every year it seems like a big advertisement for itself. They constantly need something for the commemorative clip show in the following year so they can look back on all the "wild" things that can happen at an MTV awards show, making it so much different than all those "other" award shows. In truth, it's just as yawn-inducing and celebratory of mediocrity as every other establishment award ceremony. Granted, Beyonce's song was one of her less mediocre entries in recent years (which is actually saying quite a bit), but the video was no great shakes. Blue screen + dancing= best video ever?

Tuesday, September 15, 2009

More air than I was expecting...

What's up with that weird lisp in the new Air song? I hate to be shallow, but it's quite distracting...

Monday, July 13, 2009

Disco All But Demolished

Over at PopMatters, I've got a brief entry on one of the blogs celebrating disco's vitality 30 years post Chicago's disco demolition night. I tried to stick to things that would mostly fit a technical definition of Disco (or House, as it is now known) rather than splintering off into the myriad deviations that have grown outward from disco.

Some great music there and it wouldn't be hard to add a ton more. Oh Hell, here's a few:






















Friday, July 10, 2009

Obits, Ambivalence, mnmlsm, and Warehouses

After a long couple weeks of publishing silence, I've got a couple articles up at PopMatters. They're all things I was unsure about after I finished them, but it turns out they're all pretty good. Check them out


The Fawn in the Burning Forest: Our Beloved Monster
My encapsulation of the whole Michael Jackson affair, which appears as part of PopMatter's week long infatuation with his death.



A review of Bibio's Ambivalence Avenue, which is quite a departure.


A review of Studio 1 by Studio 1 (aka Wolfgang Voigt), which reads more like a treatise on hyper-minimalism.


And a more substantial form of minimalism, in the form of Claro Intelecto's Warehouse Sessions

Toyota Scion Presents...

Is dubstep now officially dead?

Also, MSTRKRFT is dubstep?