Tuesday, October 27, 2009
Nomo- Invisible Cities
Read the review here.
Also, here's a 15th anniversary commemoration of Natural Born Killers. A lot more I wanted to write in this one. Maybe there will be a longer piece published in some form soon. Hard to imagine a movie like this ever coming out now, let alone as a summer Blockbuster. It's a film that indemnifies not only the institutions of law enforcement, prisons, the media, and the family structure, but also, despite what Oliver Stone might argue, identifies love as a perpetuator of violence and the executioner of reason. In the meantime, it openly mocks victims and uses Hollywood hard-wiring evocations of empathy to make its audience choose between questioning the implicit assumptions of its filmology and rooting for monsters, knowing full well many would identify with the killers before they ever quaestioned the camera they'd spent the last 2 hours being asked to question. The post-Columbine, post-9/11 world has, if anything, become more sanctimonious about violence as it continues to be the most avid consumer of it.
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