Friday, December 18, 2009

PopMatters Best of 2009

PopMatters Counts Down its Top 60 of the Year and I chime in on Fuck Buttons.



There's the expected litany of "Aww c'mons" in the comment boxes, in which several of the nice people from PM-god love 'em- try to defend our honour. With specific regards to Animal Collective, I can't help but feel much of the contention comes from the fact that the album was released in January and people have been hearing about it all year (as if we haven't been hearing about Dark Side of the Moon for 37 years). As much as critics boast of MPP's accessibility, it is a difficult album for the uninitiated. For those who've failed to be impressed in the past six years, it's not dissimilar to the their previous albums, just a kinda better version of it. It's not my #1 of 2009, nor my #1 Animal Collective album, but it's definitely one of the better consensus-y albums in recent memory. But there's nothing worst than hearing over and over again about an album you find to be either kinda lame or just plain mediocre, so I see why people are upset. I don't think any album could be truly great without its naysayers.

Grizzly Bear I can't speak to, because I still haven't heard the album in full. A few of the songs I heard were good-not-great, but "Two Weeks" is still quite fantastic. Everything about the song shrieks "indie status quo" in 2009 (an example, as mentioned in the previous post of Middle-of-the-Road as strengh), but those DRUMS! Why has no one else one off about those slippery vapor trail drums?!

Also, worth checking out, in addition to all the lists, is the Top Reissues, where I have a bit on Kraftwerk

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